Let me be clear from the start:
I have come to believe in recent years that the label “one hit wonder” should be officially retired from use.

It’s dripping with sarcasm and disdain for an achievement that many have strived for and very few have attained.
Having one hit song is not a dubious distinction.

And this objection comes even before we get into the definition of a hit, which makes the moniker even more questionable.
The general understanding is that in assessing how many hits an artist has had, in the U.S., we’re talking about songs that made the Top 40 of the Billboard Hot 100.
Billboard itself uses this definition. So, for instance, Norman Greenbaum’s “Spirit in the Sky” at #3 is considered a hit. “Canned Ham” at #46 and “The Eggplant That Ate Chicago” at #52: not hits.

By this definition, Norman Greenbaum is a one hit wonder.
There are those who don’t place as much importance on a song’s chart success at the time and would suggest that it’s appropriate to apply “one hit wonder” to anyone who has only one song that everyone remembers.
If everyone remembers Rockwell’s “Somebody’s Watching Me” but has forgotten “Obscene Phone Caller”, then Rockwell is a one hit wonder, even though the latter charted in the Top 40.
I have questions.

Who is “everyone” first of all?
And how does anyone know what everyone remembers?
And if the artist had other songs that were hits at the time of their release that most people don’t remember, why don’t those songs count? Even if we forgot or aren’t aware that something happened, it doesn’t mean it never happened.
I would imagine many people don’t know or remember that the Portland Trail Blazers won the NBA title in 1977.

That does not change the fact that they did.
(That’s not a shot at that particular team. It’s just a random example. I actually do remember that they won that title.)
Can we also talk about an artist that had only one hit in the Top 40, but had scads of hits on another chart, such as country, R&B or dance?
A significant portion of the nation will remember multiple hits by that artist, while the rest of us are walking around calling them a one hit wonder. Doesn’t make sense.
Here is yet another problem with the term: It is only acknowledging an artist’s success in one country.

Isn’t it odd and kind of silly to label someone as a one hit wonder because they only hit the Top 40 once here, when they have had, say, over a dozen hits in the U.K.?
I’m just going to say it. Sometimes we in the U.S. need to be reminded that there are other countries that inhabit this earth besides us.
To further my point that the term is not a fair or even at times accurate way of describing a musical act,:
Let’s dive into the 2002 series “VH1’s Greatest One Hit Wonders”, where they counted down what they considered to be the Top 100 songs that were considered to be the only hit by an artist.

I took the time to look up every artist on the list to see if they in fact had only one hit is the Top 40 of the Billboard Hot 100. (Sometimes insomnia is a precious gift.)
I found that out of the 100 artists on the list, 24 of them had more than one hit in the Top 40. Granted, many of these were in the lower tier of the Top 40 and could be easily forgotten or never known at all by the general public, but they were there. Those 24 acts are not one hit wonders.
The inclusion of some acts in particular seems egregious to me. KC and JoJo are on the list with the song “All My Life”. They had three other songs in the Top 40, including “Tell Me It’s Real” which peaked at #2, and spent 20 weeks on the Hot 100.

Seriously.
Vanilla Ice is of course remembered for “Ice Ice Baby.” But his cover of “Play That Funky Music” went to #4. Even if a song is terrible, a hit is a hit. Calling him a one-hit wonder when in fact he had two Top 5 hits is simply inaccurate.
And how does Quiet Riot end up on this list? If you remember “Cum On Feel the Noize”, how do you not remember “Bang Your Head (Metal Health)” (peaked at #31)? Being that it made it into Weird Al’s polka medley on his 1985 album Dare to Be Stupid, it must have left a cultural imprint.
I also took note of artists on the list that charted a significant number of times in other countries, just to cover a wider perspective on their success and notoriety. While a-ha may be thought of in the U.S. for one song, “Take on Me”, (they actually have two hit songs here, by the way), they have had 18 Top 40 hits in the U.K.

Suzi Quatro only cracked the Top 40 here, her home country, once (“Stumblin’ In”) and is likely best known for playing Leather Tuscadero on the show Happy Days.
But as certain commenters here are likely aware, it’s a different story elsewhere. For example, she had 11 Top 40 hits in the U.K., and went #1 thrice in Australia. Just a couple of examples of artists on this list that have greater notoriety outside the U.S. and were not a flash in the pan.
Then we have artists on the list with a qualifying “hit” that did not actually reach the Top 40.
I counted six such cases. To be fair, two of them were well-known songs, but were not released as a single so they wouldn’t have been eligible for the chart based on the rules at the time.
But let’s talk about “I Know What Boys Like” by The Waitresses. It only reached #62 on the Hot 100. Why are they even in the discussion?

They were not considered a mainstream band at the time, and here in Chicago, the only station that played that song was WXRT, who’s programming often bordered on college rock.
If you would like to see the full results of my findings on the 100 artists that were included on VH1’s list, they are below:
Along with whether or not they are an actual one-hit wonder and some notes on success outside of the U.S. I would like to acknowledge that there is an abundance of songs on the list that I personally love, and VH1’s taste in assembling this list overlaps with mine much more often than I would have imagined. “
- “Groove Is in the Heart” by Deee-Lite?
- “Whip It” by Devo?
- “A Girl Like You” by Edwin Collins?
- “Cars” by Gary Numan?
- “Rico Suave” by Gerardo?
Sign me up. And that’s just a few of them. That being said, I wish we could talk about these bangers without having to label the artists as one hit wonders. Can’t they just be great songs?

With this I will bid you adieu, as I am off to listen to that Weird Al polka medley.
VH1’s Greatest One Hit Wonders (2002)
- 1. “Macarena (Bayside Boys Mix)” – Los Del Rio- Yes
- 2. “Tainted Love” – Soft Cell – Yes (but 11 Top 40 hits in U.K., not counting “Tainted Love ’91”)
- 3. “Come On Eileen” – Dexys Midnight Runners – Yes (but 9 Top 40 hits in U.K.)
- 4. “I’m Too Sexy” – Right Said Fred – Yes (but 7 Top 40 hits in U.K.)
- 5. “Mickey” – Toni Basil – Yes
- 6. “Who Let the Dogs Out” – Baha Men – Yes

- 7:“Ice Ice Baby”– Vanilla Ice- No!
“Play That Funky Music” at #4.

- 8. “Take on Me”– a-ha- No!
“The Sun Always Shines on T.V.” at #20 (18 Top 40 hits in U.K.)

- 9. “Rico Suave” – Gerardo – No!
“We Want the Funk” at #16
- 10. “99 Luftballoons” – Nena- Yes (but 9 Top 40 hits in Germany)
- 11. “You Light Up My Life” Debby Boone- –Yes
- 12. “Baby Got Back- Sir Mix-a-Lot- Yes
- 13. “The Hustle”- Van McCoy- Yes
- 14. “Groove Is in the Heart”- Deee-Lite- Yes (but 8 Top 10 dance hits)

- 15. “96 Tears”- ? & The Mysterians” – No!
“I Need Somebody” at #22
- 16. “Rapper’s Delight” – Sugarhill Gang- Yes
- 17. “We’re Not Gonna Take It” – Twisted Sister- Yes
- 18. “Nothing Compares 2 U” – Sinead O’Connor- Yes
- 19. “In-A-Gadda-Da-Vida” – Iron Butterfly- Yes
- 20. “She Blinded Me With Science” – Thomas Dolby- Yes
- 21. “Cars”– Gary Numan –Yes (but 18 Top 40 hits in U.K.)
- 22. “Play That Funky Music” – Wild Cherry- Yes

- 23. “All My Life” – K-Ci & JoJo – No!
Four Top 40 hits, including “Tell Me It’s Real” at #2.
- 24. “Whip It”– Devo- Yes
- 25. “Too Shy”– Kajagoogoo- Yes
- 26. “Stumblin’ In”– Chris Norman and Suzi Quatro- Yes (but 11 Top 40 hits in U.K. for Quatro.)
- 27. “It Takes Two”- Rob Base & DJ E-Z Rock- Yes
- 28. “Pop Muzik”- M- Yes
- 29. “Pass the Dutchie”– Musical Youth- Yes (but 7 Top 40 hits in U.K.)
- 30. “Seasons in the Sun”– Terry Jacks- Yes (but 7 Top 40 hits in Canada)

- 31. “Unbelievable” – EMF – No!
“Lies” at #18 (8 Top 40 hits in U.K.)
- 32. “Hot, Hot, Hot”– Buster Poindexter- Does not qualify, reached #45
- 33. “Got to Be Real”- Cheryl Lynn- Yes (but 13 Top 40 hits on U.S. R&B)
- 34. “Afternoon Delight” – Starland Vocal Band- Yes”
- 35. “Bitch”– Meredith Brooks- Yes36. “Turning Japanese” – The Vapors- Yes
- 37. “I Melt With You” – Modern English- Does not qualify, reached #78

- 38. “Me and Mrs. Jones” – Billy Paul – No!
(“Thanks for Saving My Life”at #37 – and you’re welcome, Billy.)
- 39. “Bittersweet Symphony” – The Verve- Yes (but 7 Top 40 hits in U.K.)”
- 40. “In a Big Country” – Big Country- Yes (but 15 Top 40 hits in U.K.)
- 41. “Relax” – Frankie Goes to Hollywood” – Yes (but all 7 singles released in U.K. were Top 40.)
- 42. “Hot Child in the City” – Nick Gilder- Yes (but 7 Top 40 hits in Canada)
- 43. “How Do You Talk to an Angel” – The Heights- Yes

- 44. “Rock Me Amadeus” – Falco – No!
“Vienna Calling” at #18” (22 Top 40 hits in Austria)
- 45. “Lovefool” – The Cardigans- Does not qualify– Was not released as a single. Went to #9 on U.S. Airplay. “My Favourite Game” went to #16 on same chart. A-two- hit wonder?
- 46. “Don’t Worry, Be Happy” – Bobby McFerrin- Yes

- 47. “Rock and Roll (Part 2)”– Gary Glitter – No!
“I Didn’t Know I Loved You (Till I Saw You Rock and Roll”) at #35) (15 Top 40 hits in U.K.)

- 48. “True”- Spandau Ballet – No!
Three Top 40 hits (18 Top 40 hits in U.K.)
- 49. “Turn the Beat Around”– Vicki Sue Robinson – Yes
- 50. “I Touch Myself- The Divinyls” – Yes (but 10 Top 40 hits in Australia)
- 51. “I’m Gonna Be (500 Miles)” – The Proclaimers – Yes
- 52. “Genius of Love” – Tom Tom Club – Yes

- 53. “Somebody’s Watching Me” – Rockwell- No!
“Obscene Phone Caller” at #35
- 54. “Makin’ It” – David Naughton – Yes
- 55. “It’s Raining Men” – The Weather Girls – Does not qualify– reached #46.
- 56. “Lov”in’ You” – Minnie Riperton – Yes

- 57. “Smokin’ In the Boys Room” – Brownsville Station –
No! “Kings of the Party” at #31
- 58. “What Is Love” – Haddaway- Yes

- 59. “867-5309/Jenny” – Tommy Tutone- No!
“Angel Say No” at #38

- 60. “More, More, More” – Andrea True Connection – No!
“N.Y., You Got Me Dancing” #27

- 61. “Round And Round – Ratt- No!
“Lay it Down” #40 (10 Top 40 U.S. Main Rock hits)
- 62.“The Future’s So Bright I Gotta Wear Shades”– Timbuk 3- Yes
- 63. “Jump Around” – House of Pain – Yes
- 64. “You Get What You Give” – New Radicals – Yes
- 65. “In My House” – Mary Jane Girls – Yes
- 66. “Mambo No. 5 (A Little Bit Of…)” – Lou Bega- Yes
- 67. “Epic”- Faith No More – Yes (though “Mid Life Crisis” went to #1 on U.S. Alt. chart)
- 68. “A Girl Like You” – Edwyn Collins – Yes
- 69. “Funkytown” – Lipps, Inc.- Yes (but 6 U.S. Dance Top 40 entries)
- 70. “The Nights the Lights Went Out in Georgia” – Vicki Lawrence- Yes
- 71. “How Bizarre” – OMC– Does not qualify, not released as a single in U.S, #4 on U.S. Radio.

- 72. “Maniac”– Michael Sembello – No! “Automatic Man” #34.

- 73. “Convoy” – C.W. McCall- No!
“Wolf Creek Pass” #40. (9 Top 40 U.S. Country entries)
- 74. “Rebirth of Slick (Cool Like Dat)” – Digable Planets- Yes
- 75. “I’ve Never Been To Me”– Charlene- Yes

- 76. “We Don’t Have to Take Our Clothes Off” – Jermaine Stewart – No!
“Say It Again” #27
- 77. “What I Am” – Edie Brickell & New Bohemians – Yes
- 78. “Mmm Mmm Mmm Mmm” – Crash Test Dummies- Yes (but 10 Top 40 entries in Canada)
- 79. “Puttin’ On the Ritz” – Taco- Yes

- 80. “Cum On Feel the Noize” – Quiet Riot – No!
“Bang Your Head” #31
- 81. “Just a Friend” – Biz Markie – Yes
- 82. “I Know What Boys Like” – The Waitresses – Does not qualify, reached #62 on Hot 100
- 83. “Safety Dance” – Men Without Hats – Yes
- 84. “You Gotta Be” – Des’ree – Yes
- 85. “Spirit in the Sky” – Norman Greenbaum – Yes

- 86. “Bust a Move”– Young MC – No! “Principal’s Office” #33

- 87. “Don’t Leave Me This Way” – Thelma Houston – No!
“Saturday Night, Sunday Morning” #34 (9 Top 40 entries on U.S. Dance)

- 88. “Barbie Girl” – Aqua- No!
“Lollipop (Candyman)” #23 (7 Top 40 entries in U.K., including 3 #1s.)
- 89. “Achy, Breaky Heart”– Billy Ray Cyrus- Yes, at the time of the show.
- 90. “Don’t Wanna Fall in Love” – Jane Child – Yes

- 91. “Electric Avenue” – Eddy Grant- No! “Romancing the Stone” #26
- 92. “Heart and Soul” – T’Pau – Yes (but 8 Top 40 entries in U.K.)
- 93. “Don’t Give Up On Us” – David Soul – Yes
- 94. “What’s Up?”– 4 Non Blondes – Yes
- 95. “Harper Valley P.T.A.”– Jeannie C. Riley – Yes (but 13 U.S. Country Top 40 entries)
- 96. “I Want Candy “- Bow Wow Wow – Yes
- 97. “Whoomp! (There It Is)” – Tag Team- Yes

- 98. “Two of Hearts” – Stacy Q – No!
“We Connect” #35
- 99. “No Rain” – Blind Melon – Yes
- 100. “Kung Fu Fighting” – Carl Douglas – Yes

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rollerboogie is on the case! So, there are technically one hit wonders, but they aren’t nearly as common as we care to label them.
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M’s “Pop Muzik” remains my favorite one hit wonder, and I’m glad to see that it made the cut. (Though they did have a total of 4 different songs hit in England, including the brilliant “Moonlight and Muzak”, a song that is namedropped in “Pop Muzik”.)
I’m sorry to report that the same issue applies over here. M are considered one hit wonders. Their two top 20 hits are Pop Muzik and a decade later a slightly remixed Pop Muzik. Moonlight and Muzak was the only other top 40 entry but it’s largely forgotten. Well done on looking beyond the obvious. I’m going to have to listen to it now as I had no idea of its existence til now.
The handclaps in “Moonlight and Muzak” are by David Bowie. Now you know.
Beautiful factoid.
This song is a total ear worm for me and it’s now on repeat for the last hour! Love it !
This has always bothered me, too. An example I think of is Player, the band known for the #1 “Baby Come Back”. I’ve heard them referenced as a one hit wonder, when they actually had another hit that reached #10, “This Time I’m In It For Love” (a good song!), and another song that reached #26.
Good call, srcarto!
An earlier (different) song called Baby, Come Back was the only US top 40 hit for British band The Equals in 1968. The writer and singer of that was one Eddy Grant. It charted at 32 so that probably isn’t big enough to make Eddy a one hit wonder twice. Or does it give more weight to the argument he isn’t a one hit wonder?
It gets confusing. All the more reason to get rid of the terminology all together.
Debby Boone had several hits on the Country chart, including reaching #1 with this one…
https://www.youtube.com/watch?v=eryJWPbd360
Men Without Hats had another hit. “Pop Goes The World” reached #20.
Ah, thank you. I had a feeling I would miss at least one.
Only marginally related, I just found out that the drummer I play with every Wednesday — Don Kendrick, a guy I’ve known for 10+ years — played on “Judy In Disguise (With Glasses)” by John Fred and His Playboy Band. Tom Breihan gave it a 4, the TNOCS votes gave it a 5.8, but it hit #1!
If I was on a #1, one hit wonder or otherwise, I’d be a real jerk and tell everyone as soon I shook their hand. Not really, but I’d mention it more than once a decade. Don will tell stories about playing with Jerry Lee Lewis or Freddy Fender or Shania Twain, but he never brought up John Fred until last week.
I guess that shows you the real importance of a #1.
That’s wonderful. My brother had that 45 and I knew that song almost by heart as a 6 year old. To Don, maybe it was just so long ago, he did many other things since then that he was more likely to bring up nowadays.
That’s a good thing for him.
On this occasion there’s no need to see the failure to consider hits in another territories as an example of US insularity. Exactly the same process occurs here with accompanying chart entries forgotten and success in other lands not a consideration.
Which is why the like of America, The Archies and J Geils Band are one hit wonders here.
Quite a few of your list are also one hit wonders here; Norman Greenbaum, Toni Basil, Charlene and Nena amongst them.
For completeness and cos I’m a stats need here are all the others from your list to have had UK top 40 hits, along with the number.
Sinead O’Connor 8
Thomas Dolby 5
Kajagoogoo 5
Cardigans 11 – this may well be a lot higher in Sweden
Proclaimers 6
Haddaway 6
House Of Pain 6
Faith No More 14
Des’ree 6
Eddy grant 7
Bow Wow Wow 3
Edwin Collins 2 – though same issue applies. His other hit; The Magic Piper Of Love reached #32 and is remembered by no one but me. Though everyone remembers Rip It Up his one hit as leader of Orange Juice.
Thank you, JJ. I arbitrarily tried to include anytime someone had at least 7 top 40 hits in U.K. or their home country, but I missed a few. I genuinely appreciate you nerding out and filling in the blanks.
It’s appropriate that the band America gets the title of one-hit wonder in U.K.
Loved this article B and I have so many comments! For starters, RIP David Johansson (aka Buster Poindexter) one the most influential artists, with his band The New York Dolls, that ever came out of NYC. Also The Sugar Hill Gang were wildly influential in that theirs was the first mainstream Rap Record ever also inspired an entirely new genre of music.
Similarly, Gary Numan is an electronic music pioneer. Rumor has it, David Bowie would never acknowledge him as he was so jealous of Numan’s talent.
So my point is, clearly, I too find the moniker One Hit Wonder to be an insulting barometer of success music industry.
Also, dearest brother of mine, In listing “covers” of other artists’ hit songs without a mention of the original could be misleading. “I Want Candy” and “Come on Feel the Noise” stand out here. I probably had too much coffee today and am so nit-picky hahaha. I haven’t done a deep dive on it, but Bow Wow Wow have incredible other songs that may have charted in the UK.
Lastly, I’d love to give a shoutout to Martha Wash of The Weather Girls! Her vocals propelled a few major Dance hits by Black Box and C + C Music Factory. Much has been written about her story so I won’t digress further. Her voice is one for the ages and I’m a huge fan.
Thanks for the inspiring conversation!!!
Too much coffee? You? Hard to believe, sis.
All good points on those artists. Devo is another band on that list that was highly influential and not deserving of a moniker that diminishes what they truly were.
Gary Numan. I remember more than one car ride with you with “Cars” blasting from the radio. One of my favorites from that era.
Martha Wash gets a lot of props around here. Incredible voice. House music wouldn’t be the same in the early 90s without her.
It’s also fun hearing her on Dance (Disco Heat) by Sylvester. That opening banter is classic.
I also feel like in a just world, The Weather Girls’ “Dear Santa (Bring Me a Man This Christmas)” would have been a second big hit for them.
Yay Devo!! Thanks Brother. I’m always more combative than need be, coffee or no.
I highly recommend a deep dive into Devo’s video archives. They are/were really out there early on w the medium.
“Look at all these fabulous people…”
Love it!
Bill Walton!
Yes, indeed. My dad took me to my first Bulls’ game that year, verses the Trail Blazers. Walton was injured and didn’t play. The Bulls lost anyway. I still remember a good 6 or 7 players from that Blazers’ team, just from that night.
Burned in my brain. The Bulls ended up playing the Blazers’ in the first round and put up a good fight but lost 2 games to 1. Blazers went all the way, of course. How is that for a response to your 2 word comment?
Moreover, great stuff, rb! Some random comments:
Good thoughts here, stob. I think Quatro, as a rock chick, was ahead of her time here. That wasn’t really in quite yet in the U.S., with women more connected with mellower fare, as you said. That would change soon with a host of ladies rocking out and at least some of them give credit to Quatro for blazing the trail.
woah-woah-woah…I am particularly a fan of Lou Bega’s follow up hit “Tricky, Tricky”. Sadly I see it fizzled at #74. (How in the world do I even know it???) But he did have a few other hits in Europe.
I know Tricky, Tricky too. It got some airplay here briefly. I liked it.
Great article RB! I appreciate the research as I love to think about this stuff.
Thank you mjevon. Always nice to see you here.
Great job, rb! I remember yelling at the TV when VH1 did that countdown: “The Sun Always Shines on TV” was a Top 20 hit that you played!
Chris Molanphy did a Hit Parade on this where he offered some guidelines. While I understood where he was coming from with them, I disagreed with them. For example, he would say it was fine to call a-ha a one hit wonder because “The Sun…” was an immediate follow-up that few people remembered compared with its predecessor.
But I remember. And so do you.
Exactly, Chuck. Right on. You get it.
Unfortunately, Chris Molanphy doesn’t and he has more peoples’ attention than we ever will. But, hey, we do what we can.
There’s always seemed to be some errors when trying to classify what’s a “one-hit wonder.” When The Book of Lists 2 came out in 1979, one list was “12 Artists Who Made Billboard’s #1–But Never Got into the Hot 100 Again.” Included were Looking Glass for “Brandy (You’re a Fine Girl)” and MFSB for “TSOP (The Sound of Philadelphia).” The compiler apparently overlooked the fact that “Jimmy Loves Mary-Anne” went to #33 for Looking Glass and MFSB had 3 other Hot 100 entries, the biggest being “Sexy” at #42.
Regardless, I agree that the term “one-hit wonder” should not be pejorative. There are thousands of songs released every year in the United States, and rarely more than 900 crack the Hot 100 for any 12-month period. Even getting one entry on there is a big achievement for any artist.
Very well said, Ozmoe.