My latest look at Spotify streaming statistics takes us to the Billions Club:
An ever expanding playlist maintained by Spotify containing every song with a billion streams.

The playlist was created in June 2021 with 150 songs at the magic number. The first song to 1bn was “One Dance” by Drake in October 2016.
Having taken just under five years to reach 150, things have accelerated since. In October 2023 it hit 500 tracks and has now moved on to 873 songs… no wait 880….hang on a moment… Ok, let’s draw a line under it; otherwise I’ll never be done.
The position at the end of February when I collated the stats was 882:

Providing 54h 23m of music.
Those 882 breakdown as follows:

- 1bn = 734
- 2bn = 130
- 3bn = 16
- 4bn = 2
When we look at it by decade, the trend is for a decade in decade rise through to the 2010s apart from a slight hiccup with the 90s being outdone by the 80s.

- 50s = 2
- 60s = 13
- 70s = 23
- 80s = 38
- 90s = 34
- 00s = 91
- 10s = 500
- 20s = 181
Let’s go through the list decade by decade, with some diversions along the way. In this first, part I’ll cover off the 20th century:

- 1) Brenda Lee – “Rockin’ Around The Christmas Tree” = 1,288,361,801
- 2) Bobby Helms – “Jingle Bell Rock” = 1,215,438,216
Our earliest offerings belong to the evergreen subset of Christmas songs. Bobby and Brenda have really benefitted from coming back into fashion in the last decade.
While we’re on the subject of Christmas songs, there aren’t a huge number of them. The guaranteed play for December is largely outweighed by eleven fallow months.

Though not as fallow as you might think. In the last month, AIWFCIY has added two million plays.
Some people really do wish it could be Christmas every day: Six of these are longtime festive favourites but Ariana and Sia are a big surprise.
- 1) Mariah Carey – “All I Want For Christmas Is You” = 2,167,334,445
- 2) Wham! – “Last Christmas” = 1,864,690,232
- 3) Brenda Lee – “Rocking Around The Christmas Tree” = 1,288,361,801
- 4) Ariana Grande – “Santa Tell Me” = 1,279,261,361
- 5) Bobby Helms – “Jingle Bell Rock = 1,215,438,216
- 6) Andy Williams – “The Most Wonderful Time Of The Year” = 1,203,149,622
- 7) Sia – “Snowman” = 1,191,023,259
- 8) Michael Buble – “It’s Beginning To Look A Lot Like Christmas” = 1,172,947,754

- 1) Creedence Clearwater Revival – “Fortunate Son” = 1,608,543,738
- 2) Marvin Gaye and Tammi Terrell – “Ain’t No Mountain High Enough” = 1,564,359,618
- 3) The Beatles – “Here Comes The Sun” = 1,525,336,081
- 4) Rolling Stones – “Paint It Black” = 1,395,198,127
- 5) Ben E King – “Stand By Me” = 1,265,728,085
- 6) Van Morrison – “Brown Eyed Girl”= 1,264,061,513
- 7) Andy Williams – “It’s the Most Wonderful Time Of The Year” = 1,203,149,622
- 8) Temptations – “My Girl”= 1,095,018,4449
- 9) The Animals – “House Of The Rising Sun” = 1,078,805,495
- 10) Elvis Presley – “I Can’t Help Falling In Love” = 1,043,582,455
- 11) The Mamas And The Papas – “California Dreamin'” = 1,035,722,866
- 12) Creedence Clearwater Revival – “Bad Moon Rising” = 1,023,581,285
- 13) Jackson 5 – “I Want You Back” = 1,004,983,875
Everyone of these is instantly recognisable, and its a pretty good representation across the 60s. Which is the same until we get into the streaming age of the 2000s. Up to that point, the songs are all pretty familiar even if they weren’t hits. In the next part we’ll see that although big hits continue to do well; familiarity isn’t a bar to the big time.

CCR at #1 are the first act to have multiple entries, they’re back for one in the 70s as well.
I’ve previously covered “Here Comes The Sun” and it’s unlikely rise from album track to Beatles numero uno before. One position behind it, “Paint It Black” doesn’t seem the most likely Rolling Stones track to be here, though reading through some Reddit discussions it does get a lot of love. It’s 600k in front of anything else they recorded.

Perhaps it’s the doom laden track the world needs from them in these times.
Only two of these didn’t make the Hot 100 top 10:“ Here Comes The Sun” as an album track, and “Ain’t No Mountain High Enough,” reaching #19. It’s continued success comes at the expense of the #1 Diana Ross version, which has only 79m plays.

- 1) Queen – “Bohemian Rhapsody” = 2,702,397,004
- 2) Queen – “Don’t Stop Me Now” = 2,231,639,815
- 3) Fleetwood Mac – “Dreams” = 1,961,211,184
- 4) Creedence Clearwater Revival – “Have You Ever Seen The Rain?” = 1,901,980,735
- 5) Earth Wind & Fire – “September” = 1,889,970,990
- 6) AC/DC – “Highway To Hell” = 1,865,251,814
- 7) Eagles – “Hotel California” = 1,799,192,650
- 8) ABBA – “Dancing Queen” = 1,562,693,874
- 9) Queen – “We Will Rock You” = 1,458,541,650
- 10) Lynyrd Skynyrd – “Sweet Home Alabama” = 1,428,029,741
- 11) Dire Straits – “Sultans Of Swing” = 1,371,958,771
- 12) Aerosmith – “Dream On” = 1,294,669,521
- 13) Fleetwood Mac – “The Chain” = 1,26,015,069
- 14) Black Sabbath – “Paranoid” = 1,260,866,154
- 15) Elton John – “Rocket Man” = 1,243,624,421
- 16) Bee Gees – “Stayin’ Alive” = 1,153,034,058
- 17) Kiss – “I Was Made For Loving You” = 1,167,632,993
- 18) Bill Withers – “Ain’t No Sunshine” = 1,114,779,665
- 19) Fleetwood Mac – “Go Your Own Way” = 1,109,959,193
- 20) Led Zeppelin – “Stairway To Heaven”= 1,077,193,333
It’s all about Queen: Earliest members of the 2bn club, and doing it twice for good measure. As well as the three entries in the top 10 they have “Crazy Little Thing Called Love” and they’ll come back for the 80s with “Under Pressure” and “Another One Bites The Dust.”
Fleetwood Mac put in a good showing thanks to the evergreen Rumours.

In addition to “Dreams,” it also supplies “The Chain” and “Go Your Own Way.” They also reappear in the 80s with “Everywhere.”
AC/DC kick off a presence crossing three decades. “Back In Black” just misses out on the 80s top ten and is joined by “You Shook Me All Night Long.” Thanks to “Thunderstruck” they trip over into the 90s too.
AC/DC are atypical for the acts from this time featuring in the Billions Club. “Stairway To Heaven” and “The Chain” are album tracks that became bigger than many singles but for the most part the songs in the club from the 60s through to 90s were big hits on the Hot 100.

Not AC/DC: they place four singles on the list, despite none of the peaking higher than #35.
Rock in varying strengths from Fleetwood Mac through to Black Sabbath’s Paranoid dominates.
Disco has a foothold with Bee Gees; “Stayin’ Alive,” ABBA’s “Dancing Queen” and the Kiss crossover “I Was Made For Loving You.”
Black artists take a backseat though after contributing four out of 13 entries in the 60s. Down to two from 23 in the 70s: Earth, Wind & Fire being joined by Bill Withers’ “Ain’t No Sunshine.”

- 1) The Police – “Every Breath You Take” = 2,457,907,536
- 2) Journey – “Don’t Stop Believing”” = 2,287,923,988
- 3) a-ha – “Take On Me” = 2,215,696,614
- 4) Guns N’ Roses – “Sweet Child O’ Mine” = 2,141,910,746
- 5) Queen – “Another One Bites The Dust” = 2,088,920,718
- 6) Michael Jackson – “Billie Jean” = 2,046,874,298
- 7) Toto – “Africa” = 2,042,020,796
- 8) Tears For Fears – “Everybody Wants To Rule The World” = 1,957,658,257
- 9) Wham! – “Last Christmas” = 1,864,690,232
- 10) Bon Jovi – “Living On A Prayer” = 1,838,087,255
- 11) Queen and David Bowie – “Under Pressure” = 1,804,381,395
- 12) AC/DC – “Back In Black” = 1,777,637,074
- 13) Eurythmics – “Sweet Dreams (Are Made Of This)” = 1604,669,828
- 14) Survivor – “Eye Of The Tiger” = 1,473,754,109
- 15) AC/DC – “You Shook Me All Night Long” = 1,386,764,131
- 16) Whitney Houston – “I Wanna Dance With Somebody” = 1,376,296,442
- 17) Bryan Adams – “Summer Of ’69” = 1,370,179,315
- 18) Cyndi Lauper – “Girls Just Wanna Have Fun” = 1,356,815,331
- 19) Kate Bush – “Running Up That Hill” = 1,340,606,056
- 20) Guns N’ Roses – “Welcome To The Jungle” = 1,336,596,940
Guns N’ Roses are the most prolific billionaires of the decade. “Paradise City” joining “Sweet Child O’ Mine” and “Welcome To The Jungle” – and they have a further entry from the 90s in “November Rain.”
The most obvious detail from the 80s is that early to mid 80s dominates. ’86 to ’89 provides only 11 of the 38 tracks.

A-ha prove that shorn of the iconic video the song still resonates.
“Running Up That Hill” and “Should I Stay Or Should I Go” speak to the power of other mediums pushing up plays. Both featured prominently in Stranger Things.
Kate Bush got the bigger boost, rocketing her back to the top end of the charts but both have benefitted longer term in being brought to a new audience.

I would have pinned “London Calling” as The Clash’s calling card – but Netflix has seen to that.
Several iconic acts of the decade are conspicuous by their absence.
Prince and Madonna don’t come close. And Bruce Springsteen is also missing, though “Dancing In The Dark” is only 47m away, so should see him joining up by the end of the year.

Madonna does have one featured contribution in the club, very much the minor partner on The Weeknd & Playboi Carti track, “Popular,” in 2021.
She may have torn past Cyndi Lauper as a global icon but it’s Cyndi’s “Girls Just Wanna Have Fun” that is the go to girl anthem. Plus, as I write this its just been announced that “Time After Time” has become the latest addition to the club.
Presaging the 90s, alternative makes a brief appearance at the other end of the decade with The Pixies’ “Where Is My Mind.” Their influence on the band topping the 90s listings possibly being reciprocated.

- 1) Nirvana – “Smells Like Teen Spirit” = 2,286,275,993
- 2) Oasis – “Wonderwall” = 2,247,154,059
- 3) Mariah Carey – “All I Want For Christmas Is You” = 2,167,334,445
- 4) Goo Goo Dolls –“Iris” = 2,154,293,392
- 5) Radiohead – “Creep” = 2,000,554,296
- 6) Coolio – “Gangster’s Paradise” = 1,982,187,797
- 7) AC/DC – “Thunderstruck” = 1,740,774,105
- 8) Backstreet Boys – “I Want It That Way” = 1,678,226,126
- 9) Metallica – “Enter Sandman” = 1,605,362,007
- 10) Dr Dre – “Still Dre” = 1,592,448,386
- 11) Red Hot Chilli Peppers – “Under The Bridge” = 1,568,952,794
- 12) REM – “Losing My Religion” = 1,566,524,008
- 13) Nirvana – “Come As You Are” = 1,506,128,206
- 14) Cranberries – “Zombie” = 1,395,684,772
- 15) Metallica – “Nothing Else Matters” = 1,313,193,322
- 16) Notorious BIG – “Hypnotize” = 1,299,024,984
- “17) Ice Cube – “It Was A Good Day” = 1,286,201,465
- 18) Blink 182 – “All The Small Things” = 1,284,097,713
- “19) TLC – “No Scrubs” = 1,268,904,981
- 20) Green Day – “Basket Case” = 1,244,292,757
The decade of the guitar with rock and alternative dominating.
Grunge tops the list thanks to Nirvana. At the heavier end of loud, there’s a double dose of Metallica. Keeping the volume up but skewing to a younger brattier sound are Green Day with “Basket Case.” They also reappear in the 00s with “American Idiot”.

The Offspring (“The Kids Aren’t Alright” – they’re much more positive in the 00s, opining that “You’re Gonna Go Far Kid”) and Blink 182’s “All The Small Things.”
Rage Against The Machine bring the anger and prove that singing along to; “F*ck you I won’t do what you tell me” continues to appeal to successive generations.

It may be the song that these times demand.
Britpop shows up with Oasis also present with “Don’t Look Back In Anger.” Arch rivals Blur provide “Song 2,” Radiohead prove the popularity of self loathing and The Verve have “Bittersweet Symphony.”

Outside the top 20 there’s also 4 Non Blondes; “What’s Up?” and Sixpence None The Richer; “Kiss Me.”
Red Hot Chili Peppers pull off a feat that only Queen can match from the 20th Century cohort of having 5+ entries:

They score with: “Can’t Stop,” “Scar Tissue,” “Otherside,” “Californication” and “Snow (Hey Oh).”
This is also the decade rap and modern R&B starts to breakthrough thanks to Coolio, Dr Dre, Ice Cube, Notorious BIG (who also has Big Poppa) and TLC.
Pop largely goes by the wayside. But there is a small cohort of Backstreet Boys, Britney Spears (“Baby One More Time” – reappearing in the 00s with “Toxic”) and Spice Girls (“Wannabe”).
That’s the 20th Century taken care off.
Next time we move up to date: and find the most prolific artists and biggest songs.

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Interesting stats. I didn’t even know Ariana and Sia had Christmas songs.
I’m surprised about Madonna but Prince always struck me as an albums artist, despite having a lot of hit singles.
And wait, only one Beatles song? That can’t possibly be right. Unless, of course, older Beatles fans don’t use Spotify. Yeah, that’s gotta be it. After all, we already own the records, CDs, cassettes, 8-tracks, mini-discs, box sets, bootlegs, t-shirts, coffee mugs, bobbleheads, pillow cases….
Anyway, I’m looking forward to the next installment. Good work, JJ.
I shouldn’t be surprised at liking Sia’s Christmas song, but I did. I think my daughter introduced it to me this Christmas.
My feelings on Ariana’s song are the same as Shallow thegue’s opinion of Ariana.
Now where’s my Christopher Cross 8-track?
Snowman by Sia is a decent track. Not crazy about the Ariana song.
I noticed you only covered the Top 20 of each decade (when available) so I was confused with “Should I Stay or Should I Go” – where did end up?
Also, how does Billboard decide which Spotify plays end up on their Top 100? The British charts?
If Spotify pays $1 for 313 plays, that’s a lot of money for these top songs!
Should I Stay Or Should I Go ranks 24th for the 80s.
How streams count to charts gets complicated.
Hot 100 I found this explanation; one play through a paid subscription streaming service is worth one point, but a play through ad-supported streaming services will be worth two thirds of a point and a play through a programmed streaming service is worth half a point. Those points are then combined with airplay and sales though I can’t see a simple explanation for that equation.
UK Charts – Premium streams, so if you have a subscription; 100 streams = 1 sale. For ad free users 600 streams = 1 sale.
There are additional rules of only 3 tracks per artist allowed thanks to Ed Sheeran when his Divide album made up 16 of the top 20.
Then there’s the Accelerated Chart Ratio which gets really complicated and means after a certain time a song has to achieve more streams to equal one sale. Its designed to ensure a turnover of songs as without it Mr Brightside would be in the top 40 forever.
Nice work! Once you’re done with the biggest of the big, how about the least streamed artists on Spotify, maybe the weirdest of the bunch? That would be a fun read.
Interesting idea. Are there any artists without a single play? Surely not, you’d play it yourself just to get off zero. Not sure how to go about finding the least played songs but going down the weird route might be a possibility. Something to think about anyway. Thanks rb!
There’s a lot! Or at least a lot of tracks. It is estimated that 90% of songs on Spotify have never been played (many of which are presumedly just old and completely forgotten)
https://www.usemogul.com/post/how-many-songs-have-0-plays-on-spotify-and-why-it-doesnt-matter
Just search for my bands. You’ll find lots with no plays. 😑
The campaign to elevate VDog to the Billions Club starts here!
Interesting. The difference in decades makes obvious sense, but I’m with VDog. I’m surprised by the relative underperformance of the Beatles.
Looking into some more stats. The classic rock bands (i.e. pre 2000) with most monthly followers are;
Queen 46.9m
Fleetwood Mac 34.8m
The Police 32.5m
The Beatles 31.9m
Guns N Roses 31.7m
AC/DC 30.5m
Creedence Clearwater Revival 26.9m
Rolling Stones 25.5m
Pink Floyd 24.4m
Journey 23.9m
It’s still a strong performance by The Beatles and they are the best of the 60s. Perhaps it is in part due to the time elapsed. They must be getting younger listeners as well but they do have an ageing fanbase who aren’t as likely to use streaming.
Or maybe people do just prefer Queen now.
I am most in tune with the 70s, and yet I find myself quite surprised by its top 20. That is undoubtedly because my perspective is still skewed by how I experienced the 70s music in the 70s and 80s. Songs like “The Chain” and “Don’t Stop Me Now” are just so, so much more popular in the last 15 years than they were back then. (Not that they’re bad).
Disappointed not seeing any Neil Sedaka. I’m sure he was juuuuuust outside the top 20, right? Right?
Depends how you spin ‘juuuuuust outside’. When you take the entirety of Spotify he’s definitely closer to the top 20 than the bottom 20.
His best performing song is Breaking Up Is Hard To Do. It’s at 102 million. A tenth of the way there, give him a few (and then a few more) years and he’ll make it.
I love all these stats! This is great! Just like Link, I’m most surprised by “Don’t Stop Me Now”. I had this exact discussion with my youngest daughter (she’s in her late 20s) just a day or two ago…
We were watching a Youtube video showing someone’s take on “the most recognizable song”, year by year. Everything was falling into place pretty predictably, and then for 1979, “Don’t Stop Me Now”. I told my daughter that there’s no way that could be right. I had been a teenager in 1979, following popular music ultra-closely, and I was hardly even familiar with that song. It wasn’t a hit at all when it came out (at least it wasn’t in the US).
She was surprised that I was surprised, and told me that it’s really popular now. Things that just baffle me!