I’ve had more than a few wacky jobs in my life.
In particular, I remember how much fun I had being a hack, fill-in musician.
(For the record: Emphasis on the “hack.”)
Doing fill-in gigs was the audible version of being a utility infielder:
While definitely not possessing A-game skills, the muscle-memory was enough to allow me to step into the game whenever the actual talent was on the disabled list. It was fun.
But in an impulsive act of betrayal and disloyalty to one’s own tribe: a call from a friend caused me to move over to the dark side.
My work phone rang on a Friday, and without a proper “hello,” the aforementioned friend frantically launched into an urgent plea. “I have a big problem. I’ve double booked myself. I have two things tomorrow night! You gotta bail me out!”
I was not proficient in any way, shape or form on my friend’s instrument of choice. So it was a little odd that he would call me. “I’m not sure how I can help. I’m not even remotely equipped… I don’t know how to… I’ve never even…”
Completely ignoring my sputtering, he said, “OK, it will be great! Just play anything you like – they won’t care.”
“I’ll drop off the gear now at your place. I’ll put it all under a tarp by your back door. Just make sure to be ready to go at the place at eight o’clock sharp tomorrow night.”
Accelerating his already frenetic pace, he inhaled and finished:
“Job runs four hours it’s sort of a dance party and it will be easy and thank you and you’ll love it and you’ll be great and if they ask about me tell’ em that I was sick or something and thank you again and ask for Chad and he will have your $300 ready… click.“
My three hundrawhaaaaat?
Now, you’re probably thinking, “What’s the problem? That’s a sick payday for four hours of twanging.”
Happy to explain:
The problem was that I would not be wielding a guitar, bass, keyboard, or torturing people with my pitchy countertenor. Instead:
I would be spinning the wax.
Driving the wheels of steel.
Dropping the beat – via:
The Belt Driven, DC Brushless Motorized and Slipmatted Technics SL1200-MK2.
Two of them, to be precise.
Oddly, my immediate worry was not that I had no idea how to be a proper disc jockey. I was more concerned about what I would call myself. DJ Hoodie, or something like that?
The pseudonym was not for reasons of vanity – it was about self-protection.
In those days, the worst thing that you could do as a gigging musician was to enable – in any way – our mortal enemy of the day:
The guy or gal that spun records instead of playing an instrument.
It was a perhaps an exaggerated, “they are taking food off the table and putting us out of business” kind of a stance. We wanted to promote live music, not some dude with a wobbly record player.
Aligning with Team Vinyl? Say it ain’t so!
If word got out, this would make me a pariah. An immediate enemy of the sonic state.
But at the time, money was tight, and a future with three Benjamins in my left pocket was just too enticing.
On Saturday, I drove 55 miles north of home and arrived at a tired looking American Legion hall, arriving promptly at seven PM.
The place was dark and seemed deserted, and I wondered if I had the wrong address. A woman’s voice called out from around a corner. “You the entertainment? Big room, upstairs. Elevator’s out.”
It turned out that “big room upstairs” was on the third floor.
It took five separate trips up three flights of creepy steps to haul all of the equipment inside.
I was already dreading the post-gig teardown. But I slogged through and made fast work of getting things set up. It was a surprise to see how easy it went.
I was ready and decided to kick off the night with a record that I brought from my own collection.
I thought it would be a good opener, and at exactly 8:00, the sounds of “Spy In The House Of Love” by Was (Not Was) bounced off the walls of…
A completely empty room.
Save for a lone bartender, stationed way across the opposite side of the cavernous venue, there was not another single soul in sight. Again, I wondered if there was some sort of mixup.
As the night progressed and I played record after record, not more than a dozen people came in. It was a slow and interminably boring evening.
Somehow, time marched on and the clock above the bored bartender struck 11:00. “OK,” I thought to myself, “just one more hour to go. You can do this.”
And that’s when things started to get interesting.
As if someone had flipped a switch, people started to pour through the doors of the hall. Lots of people, carrying lots of brown-bagged liquid refreshment. Many were getting, as we used to say, “herbed up.” Within 15 minutes, the place had transformed into a loud, smoky illegal pop-up club, packed with folks who definitely came to party.
People were yelling and high-fiving each other, dancing, drinking, smoking, and having a generally wild time. It was exciting and invigorating. Suddenly, as I mixed one tune into another, I was having a blast.
By 11:30, there had to be 500 people in the room. And I can say this with a fair degree of certainty, because that’s when Solo Bartender came up to me – right smack-dab in the middle of “Rebel Yell” – to scream in my ear that WE ARE OVER CAPACITY. THIS IS A FIRE TRAP. YOU NEED TO CUT THE MUSIC RIGHT NOW. Well, she had me at “fire trap,” and I complied. I pulled the mixer’s faders down to zero.
The crowd looked at me, let out a collective snarly “HEYYY…” that let me know they were not happy about having their festivities interrupted. As I tried to think of how to explain the situation, Solo Bartender grabbed the microphone.
What came next could not exactly be described as a masterclass in crowd control management.
“WE ARE OVER CAPACITY. THERE”S NO SMOKING ANYTHING ALLOWED IN HERE. AND NO OUTSIDE ALCOHOL. I’VE CALLED THE COPS – THEY ARE ON THE WAY. ALL OF YOU- EVERYONE – GET THE HELL OUT NOW!”
Now people are looking at me, like I’m the President of the American Legion or something, and telling me to turn the music back on now. The natives are restless, and of course: right on cue, two guys start fighting in the corner.
Things are rapidly getting out of control. As a few of the revelers start to converge on my table-top setup, demanding that I get this party re-started, all I can think about is: how in the world am I going to break down the equipment, get across this impossibility huge room, descend down 52 steps, load up, and get out of there in one piece?
Somehow during the evening, I’d not noticed the set of double doors directly behind where I had set up.
Maybe another stairway? If so, I would be in luck.
I took a quick peek. While not optimal, it was the only practical solution. By this time, the police had arrived, so I had a small window of opportunity. I unplugged, packed up like a madman, and somehow moved all of the gear to the other side of the double doors.
Into the night air. Outside. Three stories up:
On to a fire escape.
No turning back now – I managed to descend, schlep everything to the parking lot below, and get on my way.
Driving off into the evening, I tried to find “the lesson” in all of this.
And the takeaway was simple: there wasn’t one.
It wasn’t a case of “selling out.” I told myself that this was what everyone does: you try something new, and if it doesn’t quite work out, so what? Maybe I would even give it another go. And as I turned on the radio, magically: there was Billy Idol, finishing the very song that had been interrupted not 45 minutes earlier.
I then decided that it was all OK – there was not some kind of a Grand Karmic Message to decipher. I was still laughing to myself as I pulled into my driveway.
Until I remembered that I never met up with Chad, and forgot to get paid.
Views: 80
Wow, what a great tale! (And you lived to tell it.)
A perfect way to enter the weekend, mt.
I absolutely loved this story and the way you told it and navigated us through all of those crazy twists and turns. Talk about a masterclass. You said there was no lesson. How about this one? Anything you are asked to do that involves the phrase “ask for Chad and he will have your $300 ready… click“ could be trouble.
And I take issue with you calling yourself a hack musician. You posted some creations on the mothership that I found mighty impressive. Plus, a sub musician does not equate to being a hack.
Sounds like fun! I would actually love to see your whole playlist…especially what you were inspired to play after the people started showing up. Glad it was a good time.
Great story. There might not be a lesson but it works as a résumé. Can you DJ our TNOCS meet-up?
I don’t know…we could have mt on lead, V-dog on bass, rollerboogie on keys and Dale on percussion. We may not need a DJ.
Well, we can always use a DJ playing that iconic Kurtis Blow line “1 2 3 4 Hit It!” before the band starts playing.
Who needs to get paid when you can enjoy a life experience like that?!
You did well to stick it out through the hours of playing to an empty room til 11pm. The fun you could have missed out on.
Was (Not Was): strong opener. Kudos.
That is a fantastic story!
I have a few DJ’ing stories of my own, but nothing worthwhile to share, other than the time (the last time) I DJ’ed:
I had a panic attack.
I’m not sure what happened, but I was the DJ for a party celebrating my friend’s graduation from the police academy, and the place was ready to blow the roof off…and I could. Not. Speak.
I hid behind the turntables for four hours and never said a word, never did anything to get the party going, and never had any of the music requested by the guests.
I have no doubt I was the worst DJ many of the guests that night had ever heard.
Now look at them DJs, that’s the way you do it. You just play records and mix endlessly. That ain’t workin, that’s the way you do it.
Money for—
Oh damn. Need a new plan.
But it’s a great story!