Amazing cowbell photo courtesy:
Anthony J. Grazioso ©2025
I’ve complained about this before…
As of 2000, by and large the cowbell can no longer be brought up without it being immediately associated with a certain Saturday Night Live sketch:

With both Will Ferrell and Christopher Walken, in memorable performances.
Let me be clear that I like that sketch. I just don’t love that it seems to be the primary thing many people think of regarding the cowbell when, in fact: it is a glorious instrument that stands on its own as having been a vital part of the beat of countless songs from a variety of musical genres.
How do I love thee, cowbell? Let me count the ways.
It all started when I was playing piano in the jazz band freshman year of high school. We were learning an arrangement of an obscure 60s Latin Boogaloo song called “Brass Boo-Ga-Loo” by Sounds Tropicana:
One of the drummers was tasked with playing the cowbell, and the instrument instantly stood out to me. Its wonderful metallic clang cutting through the mix and giving it an extra pop.

I dreamt of the day when I might get a chance to play it.
That day finally came senior year when a freshman piano player arrived and now there were two of us, almost literally. He looked eerily similar to me when I was a freshman, and in addition to the piano, he also played the clarinet, as I did. (shudders)
When junior-me took a turn at the piano, I had nothing to do, so when a song came up that required cowbell and I wasn’t on piano for it, I quickly volunteered and was given the part.

I embraced my role with unbridled exuberance, once to the point of throwing the cowbell across the room when the song was over. That was probably a little too much.
In the days before social media’s prominence, I once was part of a recurring email group that formed from amongst people from various churches where I played, all of whom loved music.
We would get into all sorts of topics, one of them being “What are songs that feature cowbell?” We kept going back and forth on that one for days and probably would have never run out of ideas if we hadn’t eventually moved on to something else.

It struck me that there were just so many songs where cowbell played an integral part in the sound and feel of the groove that I hadn’t even thought about.
It was just there. It renewed my love for the instrument and gave me a more heightened awareness of its presence.
Back in 2009, I had been working as an arranger for Sr. Kathy Sherman, CSJ, a prolific Catholic composer and recording artist.

Her songs are mostly reflective and often centered around themes of peace, oneness, the love of God and social consciousness.
One of the songs that she wanted me to arrange for this particular project featured a powerful, repeating chorus with a direct and urgent message about taking a stand against gun violence. I envisioned the song with a gritty feel:

As an homage to the soundtracks of the urban films of the 70s that were inspired by the civil rights movement.
Once we got into the studio to record it, as the band broke out into a funk groove, it felt great.
But I knew it was missing something.
“It needs cowbell,” I stated. The drummer confirmed that he had one at the ready. Sister Kathy strongly resisted, sensing that the song was already getting pushed to the edge as it was. It certainly was not sounding like anything she had ever recorded, and she wasn’t entirely comfortable with it. I assured her that the cowbell would fit perfectly with the feel and asked her to give it a chance.

She reluctantly let us try it.
It blended right into the groove and was mixed so that it didn’t stick out at all, like I think she feared it would. In the final assessment, we all knew everything felt just right, although Sister Kathy was probably still a bit nervous.
She told me she went back to her order that night and announced to her fellow sisters, “I have a funk song on my recording.”
Back in the late 2010s, I was singing karaoke almost weekly.
One night when preparing some songs, I decided I wanted to sing “(Don’t Fear) The Reaper…”

…or if you prefer, the “more cowbell!” song.
Because sometimes you just have to steer into the skid, I planned to bring a cowbell with me and play it along with the track. Yes, I own a cowbell because of course I do.

Unfortunately, it got left behind on the dining room table.
And let me tell you, without a gimmick? That super long guitar solo in the middle gets awkward. I won’t be doing that again.
What I find ironic about the SNL sketch is that the cowbell part in the actual recording of “(Don’t Fear) The Reaper”, is rather muted in tone and not at the forefront, though still very much present and essential in driving the song.

Even if somebody had actually lobbied for more cowbell, whoever was doing the mixing wisely knew not to overdo it and found the right sonic place for it, in keeping with the overall vibe of the song.
It’s actually perfect.
I know what you’re saying. It’s time to end this conversation and tend to more urgent matters:
…a bangin’ playlist.
Here it is, featuring all different kinds of music with one thing in common. Just the fact that disco and hard rock can co-exist in harmony here is evidence of the healing power of the cowbell.
Some of these ideas came from other folks.
If you have a song you want to mention, hit me up in the comments.

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Views: 132
Could not agree more with the arrangement of the Sister Kathy’s song. Perfect. I know it was a one-off as to style, but I think I’m going to have to look up some of her other music.
Plus, it’s always a treat to add another rollerboogie playlist to my Spotify.
Her music is really good!
Two more that i arranged off the same album. Much more mellow. I love them both. Her songwriting reaches me. https://youtu.be/lMNSiSJCfHc?si=neIW996qdJN8B9Z4
https://youtu.be/F-RHSFrds9w?si=N8yI2u7GqJQaPGtA
I’m pretty sure I’ve heard “Get Those Guns…” before. I don’t know where I would have heard it but it has a distinct sound. Well done, rollerboogie!
Thanks, vdog! I may have posted it once before. Can’t recall.
Living over this side of the Atlantic the cowbell sketch means nothing to me. What I associate with the cowbell is a blast of 80s nostalgia and the image of skinsuit clad lunatics hurling themselves down mountains in the Swiss and Austrian Alps.
In the age of four TV channels, Ski Sunday on BBC2 was a popular option for late Sunday afternoon. It was up against religious programming on BBC1 and ITV or something obscure, intellectual and possibly foreign on Channel 4. So we watched skiing, admiring the bravery, disregard for life and speed. Maybe also being thrilled when a high speed wipeout occured.
Every skier’s descent was accompanied by the sound of enthusiastically rung cowbells. The Swiss in particular loved them. Musicality was not a priority. Making a lot of noise was.
Thanks to this I now have something more tuneful to associate the cowbell with. Good work rb.
I’ve heard those cowbells at the Olympics. Not great. In the NBA, The Sacramento Kings’ fans bang cowbells at home games ever since L.A. Lakers coach Phil Jackson called Sacramento a cow town with no class., back in 2002. I would find that really annoying.
Mick Fleetwood says that the drum part that makes them the most nervous is the very fast cowbell florish he does during the break in Fleetwood Mac’s “Oh, Well.”
I seem to recall that! Will have to listen
Great piece, RB. As someone who is not a musician, I’m not sure so I’ll ask: Does Andrea True’s “More, More, More” have cowbell?
It does indeed. More distressing is the lack of Boogie Fever on that playlist.
If you’ve got Boogie Fever, we’ve got the cure. Song added! Not one of my disco go-to songs so I somehow missed that wonderful cowbell part.
Yes, and it’s magnificent, with a ton of reverb. I love this song. Not sure how I missed it, but it’s been added.
It sounded like a cinderblock being hit in an echo chamber. That instrumental break really makes More More More come alive to me. Well, that and knowing what other work Andrea True did outside of music ….
I too love a good cowbell, but the SNL sketch is over-referenced, though not unfunny. Cowbell is awesome. It can really add a drive and forward momentum to a song. I’m thinking of the middle of the instrumental intro to “I Need a Lover” by John Cougar Mellenhead. It’s where a lot of the instruments drop out, but that cowbell keeps the tempo till the drums kick back in. I’ve always loved that.
Good call on I Need A Lover.
Another outstanding article RB. a lot of these songs I owned and still listen to.
and like you some I have sung in Karaoke 😉 I did think of a few songs that weren’t on your list. Living for the Weekend by Loverboy, Poor, Poor Pitiful Me by Linda Ronstadt and Get Ready by Rare Earth!
I knew this list would be in your wheelhouse.
A good amount of these I know because of you. I added Loverboy and Linda Ronstadt. Good suggestions. I am not hearing cowbell on Get Ready. Do you hear it on the radio version or the 21 minute album version?
BTW, 21 minutes is a bit excessive.